How do you explain the holocaust to children? If you are going to try, the good news is you can do it as engagingly and sensitively as Michael Morpurgo does in his current stage show “The Mozart Question”.
In a rare treat, the former children’s laureate was in Ashford, Kent today at Revelation St Mary‘s (the town centre church which is a stunning arts venue in its spare time). Accompanied by Alison Reid, violin soloist Daniel Pioro and the Storyteller Ensemble string quartet, Morpurgo tells his short story with drama and humanity.
The Mozart Question is NOT in the Da Vinci Code mould, using a famous historical name to build an improbable and inexpertly written thriller.
Instead it is the fictional story of Paulo Levi, a fifty year old virtuoso violinist who is interviewed at short notice by a cub reporter who has heard him perform and knows only that she must not ask the Mozart question.
Using well known classical violin music (which was slightly different from the selection featured on the 2012 CD of the show) to tell the tale, with Pioro stepping into the roles of both Paulo and his father.
The music left my 7 year old totally unable to sit still (sorry if you were there and thought he was fidgeting, he finds it easier to listen to music while moving I found out today!) His absolute favourite’s were Monti’s Czardas and Winter from Vivaldi’s Four Seasons – super fast violins- and something he referred to as a Barber’s Shop Quartet. I explained that this last one is actually completely different music, but it’s a good term to use without totally giving away a nice surprise scene.
There were some lovely moments of humour, real poignancy and Morpurgo’s love of both language and music shines despite the potentially difficult material about the role of orchestras in Nazi extermination camps. I managed not to cry. But this was a performance primarily for children, so I asked my son to name his favourite bits:
– “I liked the story. It was really sad and happy at the same time”;
– “the fast music was really good. I played air violin when it came on”;
– “Mummy bought me the book, so I could read along a bit. The pictures in the book helped me listen a bit more”;
– “I was a bit scared about going to meet the author, but he was really nice and shook my hand”;
– “I wasn’t completely sure what The Mozart Question actually was, but I think there were three really… why did that music calm people down when they were going to die? Does that bad thing happening with the music make the music bad to listen to? And was his daddy silly to not want to hear it?” (These three questions emerged over the hour after we saw the show).
Once home, it was also the perfect opportunity to explain about Naziism and what happened to Jewish people, gay people, disabled people and more who didn’t fit in with that world view. He was a bit worried about using the shower tonight, a bit sad, and didn’t think anyone should decide that four million people should be killed. Then he decided to play Star Wars figures. It’ll be interesting to listen in and see if those games change as a result.
As always when taking a child to a performance, you have to be relaxed about how they are. At the beginning, my seven year old said loudly “Which one is he?” I replied that the author was the one in the red shirt. “Oh. He’s really old, isn’t he?” says my son.
He asked repeatedly why one violinist wasn’t playing at first (this became clear five minutes later), and later, during a quiet moment e asked why one spotlight wasn’t on.
But for a 75 minute performance without interval, I was really impressed that he basically listened, even if he squirmed.
At seven, my son reads confidently but has so far only read Morpurgo’s “Kaspar, Prince of Cats”. He was inspired with today’s performance though, so I expect we’ll have the full library soon.
Having bought the book that was performed, we hoped to get it autographed but it turns out Morpurgo is a fellow sufferer of RSI. Instead, he handed out signed book plates and came around chatting to everyone and shaking hands. What a nice man!
I mentioned how much my wriggling child had loved the music and Morpurgo asked if he learned an instrument.
“I think you will very soon,” says the author.
When we got home, my son announced he wants to learn the violin at school next year.
And he wants to play the Monti.
That alone was worth the entrance price.